Victoria Edgarr Visual Artist
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4.5' x 8.5' x 14"
"O Tell Me"
Victoria Arts Council
Community Satellite Showcase
20 January – 18 April 2023

GVPL Bruce Hutchison Branch Library
Saanich Commonwealth Place
4636 Elk Lake Drive, Vancouver Island, BC

 "O Tell Me " is an installation of a metaphorical journey using images, words and objects
shaped through a process of accretion, accumulation, and convergence.

It is meant to be seen as if it were a display of archaeological 'finds'.

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"O Tell Me " celebrates the depth and persistence of human cultures, the efforts of making and remaking a continuous path through time, in the face of disturbance and ruptures.

These 'artifacts', images and text, were 'found' in a body of work spanning forty-five years.

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The 'artifacts' speak of the task of piecing together an unrecorded past.
They are the landmarks on this metaphorical journey. 
  Each work is linked to the other; each piece holds clues.
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"Flight" , accordion fold booklet, 4" x 75" x 1/2"
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"The Sirene", newspapers, string, bamboo, glue, acrylic varnish, 24" x 16" x 4"
to YouTube "The Sirene's Last Flight"

We rely on history, the written word, to tell us our stories when an oral recounting of our past is absent.
When the written records of history are absent we rely on artifacts archaeology to create a visceral sense of the past.

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to read complete poems
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foreword
Placement/Displacement
These days, the first day of living in an adoptive family
is sometimes celebrated
like a birthday.

afterword
Homer’s Odyssey is the story
of the eponymous hero's return
from war.
 His homecoming
was twenty years in the making.
foreword
Nobody' Fault
Odysseus  spoke
“Cyclops, you ask me
for my famous name . . .
Nobody is my name.“
later . . .
“Nobody is killing me by force
 or treachery.”
cried The Cyclops.

afterword
In Homer’s Odyssey we find the oldest tricks in the book.
'foreword
Disclosure
Twenty years after it was made legal,
I filed for ‘disclosure’ only to discover
that my file had been misplaced.
My name, kept secret for so long,
was now forever lost.

afterword
In Homer's Odyssey,
the Sirenes’ Song promised to
disclose godlike knowledge and power
to those greedy, reckless or brave enough to listen.
"Jewel for a motherless/sea-less mermaid (trans.)" was built by process of accretion, layer upon layer of plaster and acrylic enamel. 
               It follows the European 16th -18thC tradition of  sea-themed jewellery made from large 'deformed' baroque pearls.
" . . .Perhaps we so love pearls because, as the only jewels made from living matter, they directly connect us to struggle made beautiful." Mark Braude

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"Bijou pour une Sirene sans Mer" (Brooch) plaster, shellac, costume jewellery findings, acrylic 3 1/2" h
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"Angel Blues", Dry point on Arches, 12" x 12"
(In my loose translation) . . .and the Sirenes also sang this way...you do them an injustice if you believe they wanted to seduce and lead you astray. They knew they were clawed and barren, and so they loudly  wailed. The Sirenes couldn't help it that their cries sounded so beautiful.
Franz  Kafka, Parables and Paradoxes

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"After Agamemnon" self portrait plaster cast, paper, tarletan, white glue, shellac, 13" x 6

Of all the the individual works, the earliest are molded from from my face cast.
"All art is autobiographical. The pearl is the oyster's autobiography."
Federico Fellini

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The book Homer's Odyssey is said to have been written C. 875 BCE.
www.vicartscouncil.ca
Picture" ", Mirror, Mirror" photo & drawings on polymer litho, chine collé, Rives BFK 7.5 x 11"

Yellowing with time, the paper remembers.
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"Hollow" & "Shinning" copper etched
References
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https://docdrop.org/download_annotation_doc/The-Odyssey-of-Homer---Lattimore-Richmond-lv1hj.pdf
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"The "Mask of Agamemnon" is one of the most famous gold artifacts from the Greek Bronze Age found at Mycenae in 1876 by the distinguished archaeologist Heinrich Schliemann.
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Those glimmering spheres you see dangling from ears and necks all began as vile things - uninvited houseguests soothed by their gracious and patient hosts. " . . Perhaps we so love pearls because, as the only jewels made from living matter, they directly connect us to struggle made beautiful." Mark Braude
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O Tell Me
I can be reached for any questions, comments at
ph.250 383-3689  
Price list available at Library desk

  1. Angel Blues,       from Kafka's Sirenes              Drypoint                                               125 $
  2. Angel's Asylum, skyline Montreal                     Etching                                                325
  3. La Méduse,         (Medusa / Jellyfish)                 Stencil Monoprint                                 125
  4. Mermaid's Tale                                                 Etching, Hand Coloured                       125
  5. Pandora                                                               Etching, Miniatures                              65
  6. Pandora's Ring                                                   Etching, Miniatures                              65
  7. Note To Self                                                        Etching, Sugar Lift, Chine Collé           75
  8. Blind Homer                                                        Etching, Chine Collé                             75
  9. Odysseus Singer Of His Own Song               Etching, Chine Collé                             75
  10. The Monument                                                  Photo Etching                                      25
  11. Voyage Between Skylla & Charibdis             Etching, Chine Collé                             75
  12. Voyage For Polyphemos The Cyclops                      Etching, Chine Collé                             75
  13. Voyage To Beautiful Naausika                                    Etching, Chine Collé                             75
  14. Grasp Triptych, Hold On Tightly                      Clay, Glaze                                          nfs
  15. Moi j'ai eu mon voyage                                    Oxide Bowl claybody Toby Howell,    375
  16. Sea Things                                                          High Fired Clay, Slip                            150
  17. The Council                                                         Clay figures                                         nfs
  18. Bijou pour une Sirene sans Mer - Brooch     Plaster, Shellac, Findings                    125
  19. Bijou pour une Sirene sans Mer Necklace    Plaster, Shellac, Findings                    125
  20. Grasp, Clasp, Clash                                          Copper, Ferric Cut                               65
  21. Ball of Words Language/Tongue                        Copper Foil                                          nfs
  22. After Agamemnon                                            Paper Glue Shellac, Tarlatan               nfs
  23. The Sirene                                                           Paper, Glue, Acrylic Medium, String    nfs
  24. Self Doll in her box                                            Paper, Glue, String Bamboo nfs
  25. Panache, Wing                                                     Twig, Tissue, Glue, Shellac                nfs
  26. Face, Night                                                          Paper, Glue, Paint, Tarlatan                 nfs
  27. Face, Golden With Time                                               Paper, Glue, Tarlatan              nfs
  28. Here, and about Odysseus                              Rives BFK, Ingres, graphite. pastel  175
  29. Disclosure                                                          Accordion Fold, Copier                       25
  30. Nobody's Fault                                                   Accordion Fold, Copier                       25
  31. Placement Displacement                                 Accordion Fold, Copier                       25
  32. Flight                                                                    Accordion Fold, Copier                       25
Seeking a scaffolding for dramatizing personal archaeology and experience, I claimed the seminal book Homer's “Odyssey”.

As an adoptee of the blank slate policy:
Deducing a past is what's left when both oral and written stories, proofs, trails, are excised, by law destroying the traces of connection, obliteration of a time before this.
 
Deducing a past, allows placing oneself in time, locating first this, then that, then this, understanding consequence, consecutive ness, sequence. en route to knowing "you (really) are here", somewhere, now.

The depth and resonance of my cultural ancestors gives me a perspective on what is lost when cultures are destroyed.
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  • "O Tell Me" current exhibition
  • home
  • Printmaking archive
    • Gallery -Etchings >
      • Gallery Artist's Books
      • Gallery Print based projects >
        • Gallery Print Albums
  • featured Exhib
    • House under Covid
    • PRINT n06
    • Performance Life Till Now
  • Shop
  • contact
  • Exhibitions
    • EXHIB The Rules of the Game
    • EXHIB Concern for a Body...
    • Exhibition The Parcel
  • Blog Walking the Camino
  • Instructor
  • New Page
  • NEW PRINT ROOM