Wondering around the mountain surrounded 'campus' on the day of my arrival, waiting for my hotel room to be ready.
My ID DOLL against the mountain.

Taking possession of my beautiful sky-lighted studio in Glyde Hall. There are 24 artists Residency artists meeting that first day with staff, artist facilitators, Thematic faculty. Fantastic getting to know them.

The morning of my last (BAIR) day, before my studio show, I made it down to the river,the Bow, frozen at the edges.

Efren Quiroz   Curator

Basic curatorial proposal: To invite thirty artists to make a 30 in x 30 n piece in response to "Abstract painting (1985) 587-5" by the German artist Gerhard Richter.

“The name of the exhibition is "Difference and Repetition" which is a reference to the book by Gilles Deleuze. The concept is based on Deleuze's idea of how a new series brings back an older series and transforms it into something completely new, so that repetition brings about difference. The source of this series will be a single painting "Abstract painting (1985) 587-5" by the German artist Gerhard Richter (see attached image).

I chose this painting by Richter because it was created as a result of a series of unpredictable chaotic or gestural actions that make it difficult to reproduce. But it is also a work that evokes many possibilities.

It is essential that your piece be created in response to this specific Richter painting as the whole concept of the show is of a series derived from a single source and the repetitions and variations that result from it. For that reason I want the pieces to be a specific size 30 x 30 inches though the medium is open.”

The Slide Room Gallery,

Vancouver Island School of Art (VISA),

2549 Quadra Street.

November 1 - December 2, 2013.

My final piece, "Repeat after me" contains 64 spaces, the 64 possibilities of the I Ching.
Cardboard intaglio  30" x 30" with a monoprint 'copy' of the seminal Richter piece, & polymer litho.
It seemed a good opportunity to explore some of the inherent qualities of repetition and difference inherent in the printmaking medium so I made a decision to response through in printmaking: gestural monoprint, colour separation digital lithography and knife cut intaglio.

"Dis-asemblage Blue", Dis-asemblage Red, Dis-asemblage Black", 3 lithos mimicking colour separation printing process, but drawn in an expressionistic stye.The have been printed into "Repeat after me" and also are their own editions.

'Like' as in
'the same as'

Like as in appreciating, enjoying, caring about'
The softness of the image results partly from the drypoint-ish technique and partly from the colour of ink: graphite.

The ' Me' repeated, and repeated, referrs to myself, but refers to a different me each time,  I was at a different age, so different experiences, physically etc, and also seen and experienced through different relationships, am different.
The scanner can't figure out the medium; a not unusual problem when scanning etchings and other prints.

 “Nic @ Mac"
Artiste au travaille  /Artist at work. ..
on the laptop
Sugar lift on copper,
Vernis au sucre sur cuivre,
chine collé,  Papier Stonehenge
4" x 5"
Edition 8

Sugarlift
Home made sugar syrup
Watersoluble Black ink
Soap flakes

The image was drawn with a brush and sugar lift on an old copper plate.
I bit the plate in the same ferric bath that I bite zinc -Open Bite for 2 hrs 15 minutes.
I used the new coloured Stonehenge paper-"Kraft", and bright white Chinese rice paper for the chine, with Graphic Chemical Vine Black ink.