“Bloodlines: Flying the Red Flag”
This is the etching you have, Rachel.
“Bloodlines: Flying the Red Flag” and some variations, it being reoccurring experience. It has always fascinated me that my body could appear to bleed, and the blood being a sign of health and wealth… the possibility of generating more life.
“Signature de Temps, mark of time, is another one… The passage through a month marked in the ebb and flow of my body, a visceral experience of living in the dimension of Time.
What is other art about menstruation?
Signature de Temps
Then “Blood Story” around the ideas of Feeding / Bleeding, where the horrible hands of Nosferatu, Mernau’s Vampire, transform into a fallopian /uterus image.
"Blood Story, a visual poem", picture book
Stencil and Word Portrait Printmaking Workshop
“Me, Myself, and I… and now some additional information …"
with Agnes Ananichuk
Participants will be guided in inking, rolling, and printing colourful bookmarks made from their word portraits. The workshop will inspire new ideas on using text as a visual element and help develop a vocabulary to enhance the creation of “selfies”.
For the past year at GZPS Desiree has been the Intern as well as a regular studio member and has produced an amazing body of prints.
It's great to see some of her work in a more formal setting.
The prints will be up for a bit longer if anyone wants to drop by -studio hours tues eve, and daytime thursday and friday, 250-382-2186
This small aquatint etching is one of a group of three, on the same theme. For me, it contains a universe: the fire, friends, the moon and stars, the beach and the ocean beside.
I'm so pleased to have this as the latest addition to my art collection!
I love the grain of the aquatint. Even in the close up, about one inch square, I can still see the people.
So Poetic...is this the moon from the earth or the earth from the moon?
Wondering around the mountain surrounded 'campus' on the day of my arrival, waiting for my hotel room to be ready.
My ID DOLL against the mountain.
Taking possession of my beautiful sky-lighted studio in Glyde Hall. There are 24 artists Residency artists meeting that first day with staff, artist facilitators, Thematic faculty. Fantastic getting to know them.
The morning of my last (BAIR) day, before my studio show, I made it down to the river,the Bow, frozen at the edges.
Efren Quiroz Curator
Basic curatorial proposal: To invite thirty artists to make a 30 in x 30 n piece in response to "Abstract painting (1985) 587-5" by the German artist Gerhard Richter.
“The name of the exhibition is "Difference and Repetition" which is a reference to the book by Gilles Deleuze. The concept is based on Deleuze's idea of how a new series brings back an older series and transforms it into something completely new, so that repetition brings about difference. The source of this series will be a single painting "Abstract painting (1985) 587-5" by the German artist Gerhard Richter (see attached image).
I chose this painting by Richter because it was created as a result of a series of unpredictable chaotic or gestural actions that make it difficult to reproduce. But it is also a work that evokes many possibilities.
It is essential that your piece be created in response to this specific Richter painting as the whole concept of the show is of a series derived from a single source and the repetitions and variations that result from it. For that reason I want the pieces to be a specific size 30 x 30 inches though the medium is open.”
The Slide Room Gallery,
Vancouver Island School of Art (VISA),
2549 Quadra Street.
November 1 - December 2, 2013.
My final piece, "Repeat after me" contains 64 spaces, the 64 possibilities of the I Ching.
Cardboard intaglio 30" x 30" with a monoprint 'copy' of the seminal Richter piece, & polymer litho.
It seemed a good opportunity to explore some of the inherent qualities of repetition and difference inherent in the printmaking medium so I made a decision to response through in printmaking: gestural monoprint, colour separation digital lithography and knife cut intaglio.
"Dis-asemblage Blue", Dis-asemblage Red, Dis-asemblage Black", 3 lithos mimicking colour separation printing process, but drawn in an expressionistic stye.The have been printed into "Repeat after me" and also are their own editions.
Some monoprints thinking about the project
'Like' as in
'the same as'
Like as in appreciating, enjoying, caring about'
The softness of the image results partly from the drypoint-ish technique and partly from the colour of ink: graphite.
The ' Me' repeated, and repeated, referrs to myself, but refers to a different me each time, I was at a different age, so different experiences, physically etc, and also seen and experienced through different relationships, am different.
The scanner can't figure out the medium; a not unusual problem when scanning etchings and other prints.
“Nic @ Mac"
Artiste au travaille /Artist at work. ..
on the laptop
Sugar lift on copper,
Vernis au sucre sur cuivre,
chine collé, Papier Stonehenge
4" x 5"
Home made sugar syrup
Watersoluble Black ink
The image was drawn with a brush and sugar lift on an old copper plate.
I bit the plate in the same ferric bath that I bite zinc -Open Bite for 2 hrs 15 minutes.
I used the new coloured Stonehenge paper-"Kraft", and bright white Chinese rice paper for the chine, with Graphic Chemical Vine Black ink.
The story of Elephant and Moon is from a story Circle, a group of 6 writers each contributing a line, one after another. I edited slightly to run a bit smoother.
Photo copies from magazine collage and watercolour